2013–2014 Fellows in Residence

ANNE VAN BIEMA FELLOW
Hank Glassman
Haverford College
On the Iconography, Ritual, and History of the Gorintō Grave in Japan

ANDREW W. MELLON FOUNDATION FELLOW
Yi-Hsia Hsaio
Museum of Fine Arts, Boston
Chinese Painting Conservation

FREER FELLOWSHIP, UNIVERSITY OF MICHIGAN
Vivian Li
University of Michigan
Contemporary Asian Art

FULBRIGHT FELLOW
Radchada Buntem
Silpakorn University, Thailand
Spectroscopic Characterizations of Ancient Glass Beads

FUNDAÇÃO PARA A CIÊNCIA E TECNOLOGIA FELLOW
Raquel Santos
Centre for Overseas History (CHAM-FCSH) & New Univerity of Lisbon (UNL), Portugal
New Carpets for New Markets: The Production and Consumption of Indo-Persian Carpets, 16th and 17th Centuries

HAGOP KEVORKIAN FUND FELLOWS
Claire Cuyaubere
National Institute for Cultural Heritage, Paris
Conservation of Islamic Ceramics

Amanda Hope Malkin
Northumbria University, Newcastle upon Tyne, UK
Conservation of Islamic Manuscripts

IRAN HERITAGE FOUNDATION FELLOW
Simon Rettig
Kunsthistorisches Institut der Freien, Universität Berlin
“Books for the Prince and Books for All? Rethinking the Workshop in the Persianate World (1300–1750)”

MUSEUM TRAINING FELLOW
Kailin Weng

ROBERT H. N. HO FOUNDATION OF HONG KONG VISITING SCHOLAR
Chang Jie
The Palace Museum, Beijing
Chinese Painting Conservator

SMITHSONIAN INSTITUTION FELLOWS
Amy E. Hughes
New York University, Institute of Fine Arts, Conservation Center
Analysis and Examination of James McNeill Whistler’s Watercolors

Chika Mori
Boston University
Analysis of Dyes on East Asian Textiles

Molly McGath
University of Arizona
Development of GCMS Protocols for the Analysis of Artists’ Materials

Stacy Bowe
University College of London
Whistler’s Watercolors: Radiographic Study of Watermarks

Waliporn Suthabanditpong
Silpakorn University, Thailand
Spectroscopic Characterizations of Ancient Glass Beads

Wang Rong
Fudan University, Shanghai
Alteration of Chinese Jades

SMITHSONIAN INSTITUTION HISTORY OF ART POSTDOCTORAL FELLOW
Brice Vincent
Metropolitan Museum of Art, New York
Casting Core Materials from Angkorian Bronzes

SMITHSONIAN INSTITUTION HISTORY OF ART PREDOCTORAL FELLOW
Gregory Seiffert
Princeton University
The Album Format in Seventeenth-century Nanjing Painting

UNIVERSITY OF MARYLAND FELLOW
Madeline Gent
University of Maryland
Chinese Paintings from the Ming and Qing Dynasties