Scientific Research on the Sculptural Arts of Asia: Proceedings of the Third Forbes Symposium at the Freer Gallery of Art
Edited by Janet G. Douglas, Paul Jett, and John Winter
Contents
Jade and Jade Working Methods
A Stone Kneeling Figure in the Art Institute of Chicago: New Evidence from Scientific Investigations and Archaeological Finds in China
A Noninvasive Mineralogical Study of Nephritic Artifacts from the Philippines and Surroundings: The Distribution of Taiwan Nephrite and Implications for Island Southeast Asian Archaeology
The Introduction of Rotary Incising Wheels for Working Jade in China
A Transfer of Technology: Jade Abrasive Methods Used to Create Inscriptions in Ancient Chinese Bronzes
Bronze, Iron and Precious Metals
Technical Studies of Proto-Zhou and Early Western Zhou Bronze Vessels Excavated in Guanzhong, Shaanxi
Large Cast Iron Artifacts in Ancient China from the Seventh Century Onward: Technology and Conservation
Technical Study and Elemental Analysis of Chinese Gold from the Late Eastern Zhou Period
Elemental Composition of Sri Lankan Bronzes: Technological Style and Change
The Bronzes of the South of India: A Continuing Tradition
Casting Compassion: The Technical Study of a Large Bronze from Tibet
Earth-Based Materials
New Methods for Analyzing Thin Sections of Casting Core Materials: A Case Study with Southeast Asian Bronzes
Mineralogical Characteristics of Khmer Stone Sculpture in the Bayon Style
Tibetan Buddhist Clay Figures: A Technical Examination
Analysis and Replication
Documenting Mongolia's Deer Stones: Application of Three-dimensional Digital Imaging Technology to Preservation
Scientific Study, Conservation and Reproduction of a Sacred Lion Mask
Analysis of Inlays on Japanese Netsuke Using Raman Spectroscopy, FTIR, and Visual Examination Techniques
Polychromy and Wood
Nondestructive Investigation of the Polychromy of Japanese sculptures
Surface Decoration on the Limestone Sculptures from Qingzhou
Polychrome Decoration on Far Eastern Gilt Bronze Sculpture of the Eighth Century
Examination and Analysis of the Chinese Polychrome Sculptures in the Collection of the Royal Ontario Museum
The Study of Buddhist Sculptures from Japan and China Based on Wood Identification
Chinese Buddhist Wood Sculptures of Water-Moon Guanyin: A Preliminary Research in Their Wood Construction and Material