Scientific Research on the Pictorial Arts of Asia: Proceedings of the Second Forbes Symposium at the Freer Gallery of Art
Edited by Paul Jett, John Winter, and Blythe McCarthy
Contents
A Technical Study of the Hokkedo konpon mandara
Materials for "Gold" and "Silver" Tints in Pictorial Ornamentation of Twelfth-Century Japanese Manuscripts
Scientific Analysis Used in the Treatment of the Map of the World and Famous Cities Screens and Resulting New Perspectives on the Paintings
Three Polychrome Japanese Buddhist Sculptures from the Kamakura Period: The Scientific Examination of Layer Structures, Ground Materials, Pigments, Metal Leafs, and Powders
The Identification and Light Sensitivity of Japanese Woodblock Print Colorants: The Impact on Art History and Preservation
Dayflower Blue: Its Appearance and Lightfastness in Traditional Japanese Prints
Recent Research on Historic Paper Components in East Asian Art Objects
An Evaluation of Xuan Paper Permanence and Discussion of Historical Chinese Paper Materials
Traditional Korean Papermaking
An Investigation of Alum in the Gelatin Sizing of Far Eastern Paintings on Silk
Foxing on the Backs of Chinese Paintings
Chinese Painting Colors: History and Reality
Painting Materials and Deterioration Phenomena in a Yuan Dynasty Wall Painting
Research Plan for the Restoration of the Multicolored Paintings in Lungshan Temple at Lu-Gang
Crossing the Line: The Interplay between Scientific Examination and Conservation Approaches in the Treatment of a Fifteenth-Century Nepali Thangka
Kalighat Pats: An Examination of Techniques and Materials
The Conservation of the Cultural Property of India: Board Games Depicted as Murals
Artistic Practices of the Bohol School of Painting: An Analytical and Archival Study of Nineteenth-Century Panel Paintings in the Philippines
Wall Decoration Systems in the Temples of Angkor