Symposium: Art and Material Culture of the Northern Qi Period
June 3–5, 2011
Freer Gallery of Art, Meyer Auditorium
Program
Friday, June 3
Wu Hung, University of Chicago
Saturday, June 4
Chair: Denise Leidy, Metropolitan Museum of Art
Petra Roesch, Museum of East Asian Art, Cologne
Janet Douglas, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution
Zhang Lintang, director, Fengfeng Mining District Office for Protection and Management of Cultural Properties
Chair: Stan Abe, Duke University
Wendi Adamek, University of Sydney
Katherine Tsiang, University of Chicago
Zhang Zong, Institute for World Religion, Chinese Academy of Social Sciences
Chair: J. Keith Wilson, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution
Li Meitian, Peking Normal University
Judith Lerner, Independent Scholar and Visiting Research Scholar, Institute for the Study of the Ancient World
Sarah Sato, Tokiwayama Bunko Foundation
Victor Xiong, Western Michigan University
Sunday, June 5
Al Dien, professor emeritus, Stanford University
Nancy S. Steinhardt, University of Pennsylvania
Al Dien and Wu Hung with Stan Abe, Wendy Adamek, Janet Douglas, Denise Leidy, Judith Lerner, Li Meitian, Petra Roesch, Sarah Sato, Nancy S. Steinhardt, Katherine Tsiang, J. Keith Wilson, Victor Xiong, Zhang Lintang, and Zhang Zong
Credits
Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan is organized by the Smart Museum of Art, University of Chicago and the Arthur M. Sackler Gallery, Smithsonian Institution. Major funding is provided by the National Endowment for the Humanities, the Leon Levy Foundation, the Smart Family Foundation, and the E. Rhodes and Leona B. Carpenter Foundation.
Additional support for the Arthur M. Sackler Gallery presentation is provided by the Cotsen Foundation for Academic Research. The exhibition is supported by a grant from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily reflect those of the National Endowment for the Humanities.
Major funding for this symposium is provided by the Leon Levy Foundation.

Standing Bodhisattva
Freer Gallery of Art, Gift of Eugene and Agnes E. Meyer, F1968.45