Symposium
The Word Illuminated: Form and Function of Qur’anic Manuscripts
Costly paper, finely tooled bindings, special scripts, and intricate illumination are among the characteristics that distinguish the manuscripts in The Art of the Qur’an. In this symposium, investigate the materiality of luxury copies of the Qur’an made between the eighth and the seventeenth century from Herat to Istanbul. Also learn about the complex and layered significance these Qur’ans acquired as they changed ownership. Speakers examine the volumes in their historical, cultural, and artistic contexts and discuss their use as potent symbols of piety and political and religious authority. The symposium is organized in conjunction with the exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts and is made possible in part through the support of the El-Hibri Foundation.
Program
Thursday, December 1, 6:30–7:30 pm
Turkish Embassy
Keynote Lecture: Let’s Start with the Questions: Jane McAuliffe, Library of Congress
*Registration is required for the Keynote Lecture at the Turkish Embassy.
Friday, December 2, 9:15 am–4:30 pm
Ripley Center Lecture Hall
Astâr al-awwâlîn: The Qur’anic Handwritten Tradition and its Beginnings
François Déroche, Collège de France, Paris
The Imperial Ghaznavid Qur’ans: A Case of Collaborative Productions
Alya Karame, University of Edinburgh
Grandeur and Gold: Qur’an Codices for Sultan Uljaytu and the Ilkhanid Court
Sheila Blair, Boston College
Mamluk Qur’ans: Opulence and Splendor of the Islamic Book
Alison Ohta, Royal Asiatic Society, London
A Luxury Market? Yāqūt al-Musta‘ṣimī’s Qur’ans
Nourane ben Azzouna, University of Strasbourg
Rendering the Word of God: The Art of Qur’ans with Interlinear Persian and Turkish Translations
Ünver Rüstem, Johns Hopkins University, Baltimore
A Sixteenth-Century Shiraz Masterpiece: Chester Beatty’s Ruzbihan Qur’an
Elaine Wright, Chester Beatty Library, Dublin
Saturday, December 3, 9:30 am–12:30 pm
Ripley Center Lecture Hall
Rise of the En‘am-ı şerif: Investigating the Production of Selections of Suras in the Sixteenth-Century Ottoman Empire
Simon Rettig, Freer|Sackler
Sight and Sound in Early Qur’ans
Alain George, University of Edinburgh
The Qur’anic Soundscape of Mimar Sinan’s Mosques
Nina Ergin, Koç University, Istanbul
Julian Raby, Freer|Sackler