Contents
Keynote Address
Traditional Repertoires
- Kenyah Kendau Kancet Choral Singing of Indonesian and Malaysian Borneo: Reflections on a Triptych
Gini Gorlinski - Defending the Past, Present, and Future of Gamelan Semara Pegulingan Saih Pitu in Kamasan, Bali
Tyler Yamin - Performing Rotinese Sasandu-Accompanied Song
Christopher Basile - The Gamelan Project: Teaching, Playing with, and Learning from American Schoolchildren Playing Balinese Gamelan
Alexander K. Khalil
Musical Transmission
- Musical Knowledge, Innovation, and Transmission within the Ecosystem of Balinese Wayang Performance
Lisa Gold - The Challenges of Music Sustainability in Lombok, Indonesia
David Harnish - The Sustainability and Evolution of Talempong: Pluralism in Minangkabau Gong Practices
Jennifer Fraser - The Dancing Goddess: Ecological Memory, Technique, and the Inquiry of Value in Globalized Space
Rachmi Diyah Larasati
Global Gamelan
- The Ecology of Musical Transmission between Indonesia and the United States
Ben Brinner - Air Mengalir: I Madé Lasmawan, Pedagogy, and Musical Kinship in the Transnational Balinese Gamelan Community
Elizabeth Clendinning - Indonesian Angklung: Intersections of Music Education and Cultural Diplomacy
Meghan Hynson - A Legacy of Theatricality: Antonin Artaud’s Encounter with Balinese Gamelan
Cobina Gillitt - Distant Explosions: Kebyar and the Rite of Spring
Wayne Vitale - Lightbulb Ensemble: The Acoustic Concept of an American Gamelan
Brian Baumbusch
Above: Golek Menak Kakung dance (based on stories of Hamzah) performed at the 2013 “Performing Indonesia” festival by Icuk Ismunanda and Widaru Krefianto Darmawan. (Choreography by Sultan Hamengku Buwana IX, 1941; Freer|Sackler photo)
